- CANON EOS REBEL T3I CAMERA PACKAGE FULL
- CANON EOS REBEL T3I CAMERA PACKAGE SOFTWARE
- CANON EOS REBEL T3I CAMERA PACKAGE ISO
- CANON EOS REBEL T3I CAMERA PACKAGE FREE
CANON EOS REBEL T3I CAMERA PACKAGE SOFTWARE
We photographed this scene using the RAW plus JPEG modes on each camera, allowing us to directly compare in-camera images against those processed using software later. The crops from the A55 show a slightly larger area due to its slightly lower resolution. The crops below are taken from the areas marked with the red squares and presented here at 100%.
CANON EOS REBEL T3I CAMERA PACKAGE ISO
The image above was taken with the Canon EOS 600D / Rebel T3i at 100 ISO with an exposure of 1/400 and the lens set to 24mm f8 the original RAW file measured 22.05MB.
To compare real-life performance we shot the same scene with the Canon EOS 550D / Rebel T2i and the Nikon D90 within a few moments of each other using their RAW files and base sensitivities. Alternatively head straight to our High ISO Noise results. Now head on over to our Canon EOS 600D / Rebel T3i Real-life RAW resolution page where we’ve compared the same crops but this time from RAW files. The standard kit model may be fine for undemanding day-to-day use, but fit it on the 600D / T3i and it’ll deliver images with roughly the same amount of detail as a camera with 15 or 16 Megapixels.
CANON EOS REBEL T3I CAMERA PACKAGE FULL
Ultimately as we’ve said before, you won’t see the full benefit of the Canon 18 Megapixel sensor unless you fit a better quality lens. This could be down to superior optics in this regard, or in-camera processing cleaning them up, but the bottom line is JPEGs taken with the kit lens and default setting exhibit noticeably less fringing, which coupled with a little less softening in the corners produces a crisper result.
CANON EOS REBEL T3I CAMERA PACKAGE FREE
As you’ll see on the next page the fringing can be effectively removed from the EOS 600D / T3i RAW files, but they’re certainly visible on JPEGs if you’re looking for them.Ĭonversely the Sony A55 crops appear eerily free of coloured fringing. Both perform well towards the middle of the frame, but towards the edges, the Canon kit lens suffers from a little softening and greater coloured fringing. There are however some noticeable differences when it comes to the optical quality of their respective kit lenses. As we’ve seen before, the Canon defaults for this scene are warmer than the Sony, but the difference in this regard is fairly subtle. The main differences between the images regard default processing styles and the quality of the lenses, along with any in-camera corrections applied to them. Judging from the crops below taken with the kit lenses and lowest sensitivities though there’s virtually no difference in real-life detail. This gives it a 2 Megapixel ‘advantage’ over the Sony Alpha SLT-A55, and as mentioned above, explains why the crops from the latter show a slightly larger area. The EOS 600D / T3i becomes the fourth Canon DSLR to feature the company’s 18 Megapixel APS-C CMOS sensor, following the EOS 7D, EOS 550D / T2i and EOS 60D. The image above was taken with the Canon EOS 600D / Rebel T3i at 100 ISO with an exposure of 1/400 and the lens set to 24mm f8 the original Large Fine JPEG measured 8.28MB. Both lenses were set to f8 in Aperture Priority and adjusted to deliver the same field of view. To compare real-life performance we shot the same scene with the Canon EOS 600D / Rebel T3i and the Sony Alpha SLT-A55 within a few moments of each other using their best quality JPEG settings and base sensitivities.Įach camera was fitted with its respective kit lens: the EOS 550D / T2i with the EF-S 18-135mm IS and the D90 with the DX 18-105mm VR.
Canon EOS 600D / Rebel T3i results : Real-life resolution JPEG / RAW / High ISO Noise JPEG
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